Keith Moul – Five Photographs


336 Nashville, TN, Ryman Auditorium by Keith Moul
336 Nashville, TN, Ryman Auditorium

16-3 San Francisco, CA by Keith Moul
16-3 San Francisco, CA

984-1 Washington, DC by Keith Moul

984-1 Washington, DC


686-1-Reykjavik, Iceland, Hallgrims Kirkja by Keith Moul
686-1-Reykjavik, Iceland, Hallgrims Kirkja 

310-Krakow, Poland, Wawel Royal Castle by Keith Moul

310 Krakow, Poland, Wawel Royal Castle


Statement Of Photographic Intent

I do not restrict my subject matter except to common decency. Good photos require good light, or at least enough light to manipulate with editing software. Any photo taken may produce at least one version of itself that is worth retaining; often it contains more than one version by cropping the original. I never alter content by eliminating part of it or changing its position within the frame.

I alter an original photo with six priorities in mind:

High resolution
High color saturation
Maximum contrast
Superior brightness
Depth of subject, especially on landscapes or panoramic views; or roundness of more intimate subjects
Beauty, which I detect in form, color, texture or even ugliness/disorder

Therefore, I do not seek “realism,” but vibrancy.


 

Keith Moul’s poems and photos are published widely. Finishing Line Press released his chapbook, The Future as a Picnic Lunch, in November, 2015. Aldrich Press has published Naked Among Possibilities in August and accepted No Map at Hand for 2017; Finishing Line will publish Investment in Idolatry later this year. More at: poemsphotosmoul.blogspot.com.