Carine Topal – Three Poems
For the women clutching reeds, leavened bread and precious wine,
may there be many birds casting seeds through the wind.
May each meal be wild with honey melting on the soft muscle
of your tongue.
For the women clutching reeds, leavened bread and precious wine,
may there be many birds casting seeds through the wind.
May each meal be wild with honey melting on the soft muscle
of your tongue.
I am writing for time, clarity, the lucidity of parsed
moments. I am writing to leave a small fossil that
says I lived pressed into the medium that killed me.
In all our work I believe we should strive to make our writing as elegant and readable and beautiful as it possibly can be in its context, whether we’re crafting a lyrical poem or writing a letter to the company that unblocks our drains.
Read MoreUnleaf yourself beneath the Bois d’arc tree and let my chisel-tongue inscribe your bloom with glyphs, the cuneiform for vine and grape.
Read MoreThe ensouled energy behind form invites us to experience beauty in its sublimest moments. Our breath is taken away, we are imperceptibly still, one with the cosmos.
Read MoreI remember seeing a golden tree out a third-floor window of a college building and not being able to move, turned to gold myself by its arresting beauty. Yes, I wrote a poem about it, and it was in the college literary magazine, also solidifying for me the connection between poetry & beauty.
Read MoreI try to capture the beauty and the silence that is omnipresent in the various subjects. There is a vastness in nature, something so many of us have lost a sense of in our urban living.
Read MoreTo knead the breath of a single olive shoot
is the scent of silver-green,
cerulean winds toting Aegean brine
upon their tendrils,
your thirst for weeping sea
mixing memory with dreams devouring.
We were on our knees, my grandfather, my uncle and me and we each had an axe with a metal square on the opposite side of the blade. We used this to drive the nails into the tongue of the oak floor of the bakery.
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